Country: UK
Released: 06 Nov 1991
Genre: Electronic
Style: House, Hardcore
Notes: The vocal sample used on this track were from Shelter Me by Circuit.
Vocal samples on Plutonic are from Alright by Sterling Void.

Duration : 0:6:54

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The track is already a global phenomenon, youve heard the remixes, now prepare to be blown away by this thought-provoking video from acclaimed director Johny Mourgue.

Rather than go down the obvious route of the same-old dancefloor action, heres a highly original story featuring some incredible performances; something we hope deepens your understanding of the track and does justice to an incredible song.

The video has shot straight onto the playlists of all the major music channels, MTV Dance, Clubland TV, Dance Nation and The Box after its worldwide exclusive on The Sun website.

www.defected.com

Duration : 0:3:15

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Duration : 0:3:6

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“The Real Thing, a Liverpool based vocal group, had its origins in the Merseybeat boom of the 1960s. Lead Singer Eddie Amoo was a former band member of The Chants, whose beat singles gathered considerable critical acclaim, although they failed to chart. After continuing to record for various record labels, the band name was eventually dropped.

Re-labelled as The Real Thing, and with brother Chris Amoo, Ray Lake and Dave Smith on board, they got their big break following an appearance on the “Opportunity Knocks” ITV talent show. Spotted by an ex-Radio Luxembourg DJ, Tony Hall, he played a significant part in their early career development. Even so, success was not immediate, and contracts they signed with a couple of major record labels came to nothing, before signing to Pye Records in 1975. A spell acting as backing singers on tour with David Essex, also helped to increase their profile.

With a song written and produced by Ken Gold and Mick Denne, The Real Thing finally emerged in 1976 when “You To Me Are Everything” sailed up to the Number One slot in the UK singles chart.

It led off a list of nine hits on Pye over a three year period, which included “Can’t Get By Without You”, and “Can You Feel The Force”, both of which were top five success stories.

Their brand of commercial sweet soul music, mixed with disco influences, established their popularity with the British audience. They were the UK’s best selling black group of the late 1970s, but a switch to the Calibre record label in 1980 slowed the momentum. Subsequent material fared less well, although remixes of their first two hits charted some 10 years after their original release.

The group, with three of the founder members still on board, continue to perform and record to this day

Chris Amoo is also a regular on the Dog Show circuit, the highlight coming in 1987, when his Afghan Hound, Champion Viscount Grant, was crowned Supreme Champion at Crufts.”

http://www.last.fm/music/The+Real+Thing

Duration : 0:3:49

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http://itunes.apple.com/fr/album/why-dont-you-remixes/id355033664

For almost 15 years Marko Milicevic (Gramophonedzie) has been working as a Dj, 30 years old, Belgrade native, started his career as a teenager. In the year 2000 Marko was honoured to be chosen by RedBull Music Academy in Ireland as their student and participant and that was one of the main steps for his future work as a producer. At RBMA he got introduced to music production which leads to his later success in that field. Beside dj-ing he finished studies of Sound Design @ Belgrade University. Also he made music for many video commercials, shows, films and produced projects of some major HipHop bands in Serbia. He also made music (theme) for Big Brother show for Balkan countries.

His passion for funky music, live instruments and intensive vocals resulted by his alias Gramophonedzie for whom he is making music for last 4 years. Hes been releasing tracks for Gotta Keep Faith Records, Yakuza Records, Guesthouse, DiskoZoo Records, Shak Digital, Maracuja, DVR and many numerous remixes he did for large variety of labels. His biggest success is track called Why Dont You where he sampled an old swing track, that brought Gramophonedzie to the lights of the world global house scene and got him signed with Virgin/Positiva records.

As producer he has very diverse style in making music that varies from jackin house to almost minimal beats.

In his long dj career he played numerous parties and big dance events where he shared decks with djs like Bob Sinclar, Derrick Carter, Junior Jack, David Morales, Basement Jaxx, Tom Novy, Axwell, Roger Sanchez just to name a few

Duration : 0:2:39

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What started as a fake name and small booking at a friends birthday party has spiraled into an international DJ career for Claude VonStroke (aka Barclay Crenshaw.) One night in San Francisco after a long night of partying, Barclay and his friends began to make up fake European DJ names. Just kidding around, Barclay came up with Claude VonStroke. It ended up sticking after someone at the party booked him to DJ and used the new moniker on the flyer.
Raised in the suburbs Detroit, Barclay Crenshaw fell in love with the beat by listening to popular broadcasts of the Electrifying Mojos Midnight Funk Association on local radio. At age 16, after mastering the small 4-track recorder used at his high school, Barclay and good friend Jamie Osborne looked through the phone book and visited Juan Atkins fledgling Metroplex recordings. They tried unsuccessfully to convince Atkins to hire them as sound engineers and music producers. Little did they know, Mr. Atkins would soon go on to become the godfather of techno.

After University in New York and a 4 diversion in Hollywood working as an assistant on a series of big budget feature films, Barclay moved back to Detroit and re-discovered his passion for electronic music. He was initially inspired by listening to drum n bass mix tapes from the UK. He built a massive live rig of synthesizers and samplers and played live at local Poor Boy underground warehouse parties until he lost all of his music in an electrical outage.

One year later, Barclay re-located to San Francisco and decided to merge his passion for music and film by releasing Intellect, a six hour DVD package, self-directed and produced, covering the worldwide electronic music scene and including interviews with over 35 top producers and legendary DJs such as Derrick May, Swayzak, Derrick Carter, Dubfire, and Theo Parrish. The main goal of the Intellect project was to make an informative DVD that could help DJs advance their careers in electronic music. The result was Crenshaw taking lessons from his own DVD by starting a record label called dirtybird and a production career under the name Claude VonStroke.
Since 2005, dirtybird has carved out a niche as a premiere American tech funk label and has released over 20 EPs. Claude VonStrokes very first record, Deep Throat, was a major hit of 2005. The success of the single was followed up by Whos Afraid of Detroit?, another international hit championed by Richie Hawtin who called it the best track of 2006 in DJ magazine. Soon after that Claude released his full-length debut album, Beware of the Bird to outstanding reviews, further establishing him as an original talent in the underground. Since then, he has recorded over 25 remixes for a range of commercial and underground artists from Indy rock group The Rapture to Detroit techno legend Kevin Saunderson.
In an effort to give something back to the community Claude unveiled a deeper techno label called mothership in 2007. A large percentage of the labels proceeds go to a music school for children in Claudes hometown of Detroit, Michigan. This label features a more euro flavor featuring groups like Catz n Dogz, Italoboyz Maetrik and Voodeux.
Claude has also headlined almost every major club, festival and basement after-party in the world from Fabric to Panorama Bar to DEdge. The outdoor dirtybird parties in San Franciscos scenic Golden Gate Park have also become a legendary summer destination point for both locals and international travelers. A VonStroke DJ set is based on meticulous track selection and outrageous risk taking. He always takes time to find the special ass-wiggling cuts that keep the dance-floor percolating.
In 2009, Claude is very excited to be mixing Fabric 46. He will also return to the studio and release his 2nd artist album.

source : http://dirtybirdrecords.com/claude-vonstroke#more-98

Duration : 0:8:12

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MAJOR UPDATE New version of this music video can be found at: ” http://www.youtube.com/watch?v=w8cwePQWtoY ”

Here we can enjoy a small selection of people expressing themselves in exotic/geeky dances from the film industry. The Hampsterdance Song is courtesy of Hampsterfans. Visit Hampsterfans the official home of “Hamster Dance” videos.

http://www.youtube.com/user/Hampsterfans

^^^^^^^^^^Check out their channel!^^^^^^^^^^^^^

Here is a small list of the films I use:

The Emperor’s New Groove, Some Like It Hot, The Music Man, Looney Tunes, The Blues Brothers, Garfield, The Hitchhiker’s Guide to the Galaxy, Rush Hour, Batman Forever, Batman, X Men: The Last Stand, Jesus Christ Superstar, Lord of the Rings, Titanic, Lost In Space, and many many more. Hamster

The music contained in this production is copyright property of Hampsterfans.com and Boomtang Records. All rights are reserved, no broadcasting, downloading or sharing is allowed without the expressed written permission of the copyright owner.

Duration : 0:4:13

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[ CREDITS ]

N.A.S.A. Project
online: myspace.com/nasa

Tom Waits:
online: tomwaits.com

Kool Keith:
online: koolkeith.co.uk

Record Label
Anti- records and Spectrophonic Sound

Director
Fluorescent Hill
online: fluorescenthill.com

Production Company
Fluorescent Hill

Executive Producer
Fluorescent Hill

Post Production
Fluorescent Hill

Creative Director
Fluorescent Hill

Design
Fluorescent Hill

Animation
Mark Lomond, Johanne Ste-Marie, Jacques Khouri

Modeler/Rigger
Jacques Khouri

SqueakEClean Productions Creative Director
Syd Garon

SqueakEClean Productions Executive Producer
Susan Applegate

Duration : 0:5:19

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Go to “UMG’s” page at:
Most or all songs, I have are owned by “UMG”(Universal Music Group), go to their page at:
http://youtube.com/user/universalmusicgroup
They own this video, not myself. Go to their page, and check out their videos.

(C) 2007 Universal Republic Records, a division of UMG Recordings, Inc.

All I did was take the audio, and add the lyrics to it. This song was written, by The All-American Rejects, they own the song, not myself.

All American Rejects, Dance Inside…

Duration : 0:4:2

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Duration : 0:3:43

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